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Reimagining Historical Voices
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
Tim Braithwaite
John Baptist Cuvillie on Using a ‘Tramblan Stop’ to Make the Organ More Like the Human Voice (1699)
‘3dly I removed the Voxhumane which was on the Chairorgan before, Now to the Great Organ, and for to adorne that Stop and to make itt...
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Tim Braithwaite
A Reminder that Englishmen, when Moved, do not Tremble! (1917)
‘Our quarrel with excess of tremolo is twofold. When passion is simulated by tremor, it is forgotten that an Englishman, when he is...
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
Tim Braithwaite
Roger Freitas on Modern Representations of Historical Singing:
‘To many in the singing profession, in fact, an investigation of past approaches seems irrelevant. Even a casual survey of recent...
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
Tim Braithwaite
Charles de Bériot on ‘the Vibrating Sound’ in Singing and Violin Playing (1858)
We understand by [the term] vibrating sounds a certain undulation or trembling of held notes which indicate the emotion of the spirit...
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