top of page
Reimagining Historical Voices
Search
Tim Braithwaite
Andreas Ornithoparcus on the Singing of Different Nations and the Faults of German Cantors (1517)
Dowland’s Translation: ‘Every man lives after his owne humour; neither are all men governed by the same lawes, and divers Nations have...
Tim Braithwaite
Adriano Banchieri’s ‘Hundred Passaggi’:
‘The hundred passaggi above, all having been printed in various works by modern authors, have been assembled with much study and...
Tim Braithwaite
Tosi on the Excesses of Modern (1723) Singers, and the Patience of the Waiting Orchestra
Ԥ 5. Every Air has (at least) three Cadences, that are all three final. Generally speaking, the Study of the Singers of the present...
Tim Braithwaite
Giovanni Bardi Discussing Good and Bad Singing in a Letter to Giulio Caccini (c.1578)
I become nauseated when I recall some singers I have heard, whether solo or accompanied by others, improvising on a choirbook, not caring...
Tim Braithwaite
Charles de Bériot on ‘the Vibrating Sound’ in Singing and Violin Playing (1858)
We understand by [the term] vibrating sounds a certain undulation or trembling of held notes which indicate the emotion of the spirit...
Tim Braithwaite
Johann Matthias Gesner’s Description of J.S. Bach Directing from the Keyboard (1732)
‘To Marcus Pabius Quintilianus You would think but slightly, my dear Fabius, of all these [the accomplishments of the citharists], if,...
Tim Braithwaite
Sylvestro Ganassi on Imitating the ‘Galanteria’ of Singers Through a Trembling of the Fingers (1535)
‘...you would be compelled to be an imitator of the proficient and expert singer, and [this] would entail an instrumental performance...
Tim Braithwaite
Thomas Robinson (1603) on ‘Passionate Play’
‘Now you shall have a general rule to grace it, as with passionate play, and relishing it: and note that the longer the time is of a...
Tim Braithwaite
Lascia Ch’io Pianga (as?) Sung by Signora Isabella in the Opera of Rinaldo
The extract below from William Babbel’s ‘Suits of the most Celebrated Lessons’ (1717) shows a transcription for keyboard of the famous...
Tim Braithwaite
The London Gregorian Choral Association Remembering Church Music in the Early Nineteenth Century
‘Many of us can remember (indeed in some few places it still exists) the old village choir, assisted by the double bass, bassoon, wheezy...
Tim Braithwaite
Nicola Vicentino on Ensemble Ornamentation (1555)
‘Moreover, such diminutions should be used in [works for] more than four voices, because diminution always causes the loss of numerous...
bottom of page