Tim BraithwaiteJohn Crompton on Suitable Voices for the Countertenor Part (1778)‘Suitable voices for the middle, or counter part are rather difficult to find; but let no-one, for that reason, attempt it with a feigned...
Tim BraithwaiteMichael Praetorius on the Requirements of a Singer and Expected Vocal Ranges‘Firstly, a singer must have a voice by nature, in which three requirements and three flaws are to be noted. The requirements are these:...
Tim BraithwaiteLuigi Zenobi on the Role of the Inner Voices in Polyphonic Singing (c.1600)Since we’ve already seen Zenobi’s comments on the requirements for a soprano (https://www.cacophonyhistoricalsinging.com/post/luigi-zenob...
Tim BraithwaiteThomas Coryat on Choral Performance Practice and a ‘supernaturall voice’ in Venice (1611)‘Sometimes there sung sixeteene or twenty men together, having their master or moderator to keepe them in order ; and when they sung...
Tim BraithwaiteCharles Burney's Comments on a 'Bellowing' 'Coutertenor' in Paris on Thursday, 14th of June (1770)‘At five o’clock I went to the Concert Spirituel, the only public amusement allowed on these great festivals. It is a grand concert...