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Reimagining Historical Voices
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Tim Braithwaite
John Crompton on Suitable Voices for the Countertenor Part (1778)
‘Suitable voices for the middle, or counter part are rather difficult to find; but let no-one, for that reason, attempt it with a feigned...
Tim Braithwaite
Michael Praetorius on the Requirements of a Singer and Expected Vocal Ranges
‘Firstly, a singer must have a voice by nature, in which three requirements and three flaws are to be noted. The requirements are these:...
Tim Braithwaite
John Curwen Describes a Rehearsal of the Boys at St. Pauls, London in 1891
‘The Cathedral bell is striking two, and in the passage boys scud to and fro shouting “Practice!" and racing to their places in the...
Tim Braithwaite
Charles Burney's Comments on a 'Bellowing' 'Coutertenor' in Paris on Thursday, 14th of June (1770)
‘At five o’clock I went to the Concert Spirituel, the only public amusement allowed on these great festivals. It is a grand concert...
Tim Braithwaite
Anselm Bayley on Solfege and Registration
'In teaching solfaing let the master carefully instruct the scholar how to open his mouth that the tones may come forth freely without...
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